Arts & Entertainment

Two women almost kissing on a TV screen with a large superimposed question mark.

Can Queerbaiting Exist In A World Where Sexuality Is Fluid?

Since a heterosexual-presenting couple got a sex scene on screen while Caitlyn and Vi didn’t even kiss by the end of the first season, many people felt as if their relationship was a part of a phenomenon known as queerbaiting.

A cartoon of a scared Frankenstein's monster looming over the author, a white man, huddled under the blankets of his bed.

Arts & Entertainment

My Own Modern Prometheus

Late one Friday night, long after my mother had tucked me into bed, my eldest brother Ricky came home. Hoping he would not wake me, he quietly crept into the living room and turned on the TV. With the volume low, he perused the channels, finally settling upon a black-and-white movie. Unbeknownst to him, I peeked out from beneath the covers and was introduced to the 1931 horror classic “Frankenstein.”

A neon sign reading Circus of Books above a neon sign of a train.

Arts & Entertainment

Queer Neon Lights: A Light in the Dark at the Museum of Neon Art

Although the Museum of Neon Art may be a small piece of the Los Angeles area art scene, it can be a light in the dark for many. In a time where so many queer spaces are moving online, MONA is a small queer refuge in the heart of a busy city that works to maintain the legacy of queer spaces that came before it.

A digital illustration of various sapphic couples from television. The largest couple on the left hand side is Amity, a white girl with short purple hair, a black tunic, a moon necklace, and pointy ears, and Luz, a Latina girl with brown skin, orange-brown hair, a half-cloak, and black studs, from "The Owl House." Amity cups Luz's face and holds her hand. At the bottom right corner are Beatrice, an Asian woman with dark purple hair in a bun and a cross scar on her cheek, and Ava, a white woman with orange-brown bobbed hair, from "Warrior Nun." Ava is smiling affectionately at Beatrice who is speaking. At the top right corner are Sydney, a white girl with short pink hair in an orange tank top and necklace, and Dina, a Black girl with dark curly hair and a white tank top, from "I Am Not Okay With This." Sydney leans against Dina and looks up at her lovingly. Various swirls and hearts surround all the couples.

Arts & Entertainment

From “I Am Not Okay With This” to “Everything Sucks”: A Lack of Lesbians in Media

After the cancellation of the beloved show “Warrior Nun” on Netflix, fans speculated as to why such a popular show could have been kicked to the curb by the streaming powerhouse. Some theorized that it may have been provoked by the second season’s relationship between two women. Though its fanbase’s dedication eventually led to the series’ development into a feature film trilogy, this isn’t the first case where shows with sapphic central characters have been stripped of funding and future seasons.

A digital illustration of two women holding hands and looking at a painting of two women. The couple's clothing color palette matches the two women's clothing in the painting. The woman on the left has light brown skin, curly brown hair, a blue bandana, and a brown vest over a light blue long-sleeve shirt. The woman on the right has light skin, straight brown hair, a red beret, a tan shirt, and a black purse. The women in the painting wear a red scarf and a blue scarf respectively.

Literature

The Underrepresentation of Sapphic Identities in Literature: A Historical Analysis

My first June after discovering sapphic literature was one of eager anticipation. I had loved sapphic novels from the moment I picked up “The Lady’s Guide to Celestial Mechanics” the year prior, and waited all year for Pride Month so that I could get new recommendations. Sure enough, they started rolling in! Scrolling through TikTok, I saw video after video advertising “queer book recs.” But what I saw was disappointing at best. In these videos, the word “queer” seemed to be synonymous with male-loving-male (MLM); every single video was full of nothing but MLM novel recommendations.

An illustration of a light-skinned girl with long light brown hair in a pink sweater holding hands with a girl with brown skin and her dark brown curls tied up in a bun in a white turtleneck and red shirt. They both look backwards and up, their faces filled with worry. Blue silhouettes of people with angry faces loom above them.

Arts & Entertainment

The Oversexualization of Lesbian Relationships in Media

The entertainment industry profits off the sexualization of women. Whether typecast as a complacent suburban housewife or a strong crime-fighting machine, women in media are reduced to their sexual attributes, especially lesbians and other queer people.

Arts & Entertainment

Queerbaiting to Queer Couples: The Evolution of Queerness in 21st Century Media

2023 has truly been a great year for LGBTQ+ representation in media. From movies like “Bottoms” to TV shows like “Heartstopper” and “Good Omens,” we are living in the very recent development of what Them calls “a golden era for LGBTQ+ representation.”

A black and white still where a white blonde woman sits on a couch while a masculine-presenting white individual sits next to her. Her legs are draped over their legs, and they smile at each other. Above them, the devil is a stereotypical caricature with horns and a goatee smiling gleefully.

Arts & Entertainment

“Glen or Glenda”: Feeling Seen Through Art

“Glen or Glenda” is a 1953 transgender exploitation film directed by Ed Wood. It was made incredibly cheaply and quickly and is full of out-of-date ideas and terms about gender and transitioning, with film critic Leonard Maltin describing it in his 2004 movie & video guide as “possibly the worst movie ever made.” That being said, as a transgender woman, I have never felt more seen while watching a film than while watching “Glen or Glenda.” The movie’s critical panning has held it from the fruitful examination it deserves due to its radical stance on gender as it relates to the self and society.

A photograph of a smiling Alex, a Latino man with light brown skin and black hair wearing a gray suit and American flag socks, sitting on a couch with a smiling Henry, a white man with blonde hair, wearing a black suit, blue slash, and Union Jack socks. The photograph reads, "Love who you want. It's good foreign policy."

Arts & Entertainment

What “Red, White & Royal Blue” Gets Right About Being Queer in Politics — And What It Doesn’t

“I am the First Son of the United States, and I’m bisexual. History will remember us.”

Casey McQuiston’s debut romance novel “Red, White & Royal Blue” has recently been adapted into an Amazon Prime movie, bringing the love story between the American First Son and the Prince of England to the big screen. The film is a winding tale of controversy and copulation, but ends happily with Alex Claremont-Diaz (played by Taylor Zakhar Perez) and Henry Windsor (played by Nicholas Galitzine) stepping into Alex’s childhood home to start the next chapter of their lives together.

The cover of "Little One," an EP by Amelia Day. It is divided into eight sections with each section being in a different color of the rainbow, colored in with crayon and watercolor paint. It reads "Little One. Amelia Day" in various crayon colors; there is a smiley face in the "O". All around the centered text are black and white images of Amelia, a white girl, as a young child.

Music

Childhood, Silliness, and Photo Albums: An Interview With Amelia Day on “Little One”

Despite being classically trained, Amelia Day doesn’t limit herself to just one genre of music; she dabbles in folk, jazz, soul, and indie alike. Her acoustic guitar combined with imagery like “maple street, matcha tea” and “I left your heart out to dry on a clothin’ line stretched across central time” creates a listening experience full of familiarity and warm, golden light. She splits her time between Nashville and Seattle and has generated a fanbase spanning the American South to the Pacific Northwest.