Arts & Entertainment

A marker illustration of a bust of Sappho overlaid with a swatch in the colors of the lesbian flag.
Arts & Entertainment

Sappho in the Modern Day

A monocolor illustration of a young Korean man and woman, smiling with their arms thrown over each others' shoulders. Handwriting in the top left corner reads "Love in the Big City"
Arts & Entertainment

Love in the Big City: Heterobaiting and Queering Relationships in Korean Media

Two women almost kissing on a TV screen with a large superimposed question mark.
Arts & Entertainment

Can Queerbaiting Exist In A World Where Sexuality Is Fluid?

A photograph of a smiling Alex, a Latino man with light brown skin and black hair wearing a gray suit and American flag socks, sitting on a couch with a smiling Henry, a white man with blonde hair, wearing a black suit, blue slash, and Union Jack socks. The photograph reads, "Love who you want. It's good foreign policy."
Arts & Entertainment
What “Red, White & Royal Blue” Gets Right About Being Queer in Politics — And What It Doesn’t

“I am the First Son of the United States, and I’m bisexual. History will remember us.”

Casey McQuiston’s debut romance novel “Red, White & Royal Blue” has recently been adapted into an Amazon Prime movie, bringing the love story between the American First Son and the Prince of England to the big screen. The film is a winding tale of controversy and copulation, but ends happily with Alex Claremont-Diaz (played by Taylor Zakhar Perez) and Henry Windsor (played by Nicholas Galitzine) stepping into Alex’s childhood home to start the next chapter of their lives together.

The cover of "Little One," an EP by Amelia Day. It is divided into eight sections with each section being in a different color of the rainbow, colored in with crayon and watercolor paint. It reads "Little One. Amelia Day" in various crayon colors; there is a smiley face in the "O". All around the centered text are black and white images of Amelia, a white girl, as a young child.
Music
Childhood, Silliness, and Photo Albums: An Interview With Amelia Day on “Little One”

Despite being classically trained, Amelia Day doesn’t limit herself to just one genre of music; she dabbles in folk, jazz, soul, and indie alike. Her acoustic guitar combined with imagery like “maple street, matcha tea” and “I left your heart out to dry on a clothin’ line stretched across central time” creates a listening experience full of familiarity and warm, golden light. She splits her time between Nashville and Seattle and has generated a fanbase spanning the American South to the Pacific Northwest. 

A Netflix poster for "XO, Kitty." Besides the title, it reads, "From Jenny Han, a new 'To All the Boys I've Loved Before' story begins..." and "Only on Netflix | May 18." Five young people stand in front of a city with blooming cherry blossom trees. From left to right, there is a young man with light skin and dark hair in a jean jacket, a young man with light brown skin and dark curls wearing a dark gray shirt, a young woman with light skin and brown hair in a white tanktop, a young woman with light skin and black hair wearing pink, a young man with light skin and black hair wearing a mint jacket.
TV
Commitments to Queerness: A Review of Netflix’s “XO, Kitty”

“XO, Kitty,” the spinoff of Netflix’s “To All the Boys I’ve Loved Before,” was released in May of this year with decent ratings; with a current Rotten Tomatoes score of 81% and an audience score of 58%, the show has started off on the right foot. That being said, with all the good aspects of the show, there are also bad ones. Let’s start with the good.

A slanted polaroid collage of queer media posters, album and book covers. From left to right, top to bottom: Shygirl's "Nymph," "Happy Together," Tinashe's "Songs for You," Ashnikko's "Demidevil," The Dead Texan's "The Dead Texan," "Good Omens," "Heartstopper," All Time Low's "Tell Me I'm Alive," "Spiderman: Across the Spiderverse," "Bottoms," "Gideon the Ninth," and "Nana."
Arts & Entertainment
Queer Summer 2023 Favorites

Our OutWrite staff loves queer media! Here are some of our favorites from this summer:

The "Bottoms" poster which includes PJ, a white girl in green making a muscle, and Josie, a black woman in teal making a muscle. Clinging to each of them is a young white woman and a young Wasian woman both wearing pink clothing items. Two football players lounge beneath them, another white woman and a Black man.
Film
Gay Wrongs, and Why I Support Them — On “Bottoms” and Queer Irreverence

Lesbians have never looked as hot as when they are covered in the blood of football jocks like the characters of “Bottoms,” the instant classic lesbian rom-com movie of the year. “Bottoms” — directed by Emma Seligman — follows Josie (Ayo Edebiri) and PJ’s (Rachel Sennott) attempt to woo their respective love interests, Isabel (Havana Rose Liu) and Brittany (Kaia Gerber), with a faux all-women’s self-defense fight club. The film screams of a dark humor and irreverence rarely seen in LGBTQ+ media — a refreshing new take that presents audiences with queer, gray morality, or what I lovingly call ‘Gay Wrongs’. 

A photograph of Nick and Charlie staring lovingly at each other from Netflix's "Heartstopper". Charlie is a young white man with black hair and a red plaid shirt. Nick is a young white man with blonde hair wearing a yellow shirt. Charlie cups Nick's face.
TV
Heartstopper Season 2: Grieving Something I Didn’t Know I Lost

When Season 1 of “Heartstopper” came out in April 2022, I was a senior in high school. I was coming out of yet another situationship with a straight guy. My story was classic: grow close to him, develop feelings, question whether or not he’s straight, confess. 

illustration of Little Dog from Ocean Vuong's On Earth We're Briefly Gorgeous
Literature
Beauty, Past Blood and Shame, in “On Earth We’re Briefly Gorgeous”

“On Earth We’re Briefly Gorgeous” by Ocean Vuong (he/him) unearths the life and history of a young gay Vietnamese-American man, Little Dog. Though the novel moves between his grandmother’s and mother’s lives in Vietnam to his life in the U.S., it isn’t only an “immigrant story” or a “gay story.” Rather, it encompasses his queerness, race, class, family, and humanity.

collage of photographs representing the experiences of transmasculine butch people
Literature
Queering Masculinity in “Stone Butch Blues”

Leslie Feinberg’s historical novel “Stone Butch Blues” voices the experiences of many butch and transmasculine individuals. In a transformative exploration of queer recognition and the way it damns and redeems us, the novel unearths critical queer history and underlines the importance of intersectional solidarity. Courage, loneliness, and understanding echo through the story of the butch protagonist, Jess Goldberg.

illustration of a still from a Gregg Araki film showing a man leaning on a street bench that reads God Help Me
Film
Araki and the Apocalypse

It’s not every day that your new gay crush climbs through your window, confesses their love, and then promptly explodes in a shower of blood “Alien” style, leaving behind a cockroach-like extraterrestrial. But it happens in Gregg Araki’s surrealist sextravaganza “Nowhere.” 

illustration of Art the Clown from Terrifier and Angela from Sleepaway Camp
Arts & Entertainment
To Walk A Mile in Her Shoes You Must First Wear Her Skin

The horror genre has a transphobia problem. I’m an avid horror fan whose apartment requires a warning to enter with all the horror villains plastered to my walls. I am also a transgender person who knows that negative depictions of my community, however unintentionally harmful, do have an impact. To understand these consequences, I will be discussing four horror films that feature transmisogynist tropes and explore how their portrayal causes real harm to the trans community.

Welcome to OutWrite!

Established in 1979 at the University of California, Los Angeles, OutWrite Newsmagazine is the oldest queer college publication in the United States. OutWrite strives to build a growing educational platform through a multi-media approach that uplifts and empowers the often silenced voices of the incredibly diverse queer community. We aim to challenge dominant cisheteronormative narratives through an unapologetically anti-queerphobic, anti-racist, and progressive lens.