Late one Friday night, long after my mother had tucked me into bed, my eldest brother Ricky came home. Hoping he would not wake me, he quietly crept into the living room and turned on the TV. With the volume low, he perused the channels, finally settling upon a black-and-white movie. Unbeknownst to him, I peeked out from beneath the covers and was introduced to the 1931 horror classic “Frankenstein.”
To Walk A Mile in Her Shoes You Must First Wear Her Skin
The horror genre has a transphobia problem. I’m an avid horror fan whose apartment requires a warning to enter with all the horror villains plastered to my walls. I am also a transgender person who knows that negative depictions of my community, however unintentionally harmful, do have an impact. To understand these consequences, I will be discussing four horror films that feature transmisogynist tropes and explore how their portrayal causes real harm to the trans community.
Ellos Quieren Sangre
Her shoulders drooped with the weight of her Catholic guilt as the statue of white Jesus stared down at her, telling her, I know what you’ve done. His dark eyes seemed to be in perpetual melancholy as her own peered into them. That statue always scared her, always seemed to follow her home from church; it was the first thing she’d see in her grandmother’s kitchen, a miniature version of the statue hung up in her room right in front of the doorway. She had always accepted that Jesus would be a permanent part of her life, just as she had accepted that she bore responsibilities, as the eldest daughter and the first grandchild, to fall in line with what her family expected from her..
The Yassification of Shirley Jackson: A Queer Reading of The Haunting of Hill House
The queer horror genre has taken a lot of twists and turns to reach where it is today. First and foremost, it began with misrepresentation. With examples like the predatory lesbian figure in “Daughter of Dracula” or the blatant demonization…
