lesbian – OutWrite

An illustration in two parts. In the top part, a woman drawn entirely in black kneels in front of a small altar. She appears frustrated and tired as she prays. The second image is colorful, drawn in purple and yellow. In it, a standing woman caresses the face of a woman kneeling. They are looking at each other with love.

Where I Feel God

I feel God in the cats on the side of the road/ Huddling for warmth.

A marker illustration of a bust of Sappho overlaid with a swatch in the colors of the lesbian flag.

Charlie Richmond/OutWrite Content warning: Discussion of lesbophobia. “someone will remember us I say even in another time” • Sappho, fragment 147, trans. Ann Carson Since the 1970s, the use of the term Sapphic in reference to lesbians has grown in…

Two women almost kissing on a TV screen with a large superimposed question mark.

Arts & Entertainment

Can Queerbaiting Exist In A World Where Sexuality Is Fluid?

Since a heterosexual-presenting couple got a sex scene on screen while Caitlyn and Vi didn’t even kiss by the end of the first season, many people felt as if their relationship was a part of a phenomenon known as queerbaiting.

A neon sign reading Circus of Books above a neon sign of a train.

Arts & Entertainment

Queer Neon Lights: A Light in the Dark at the Museum of Neon Art

Although the Museum of Neon Art may be a small piece of the Los Angeles area art scene, it can be a light in the dark for many. In a time where so many queer spaces are moving online, MONA is a small queer refuge in the heart of a busy city that works to maintain the legacy of queer spaces that came before it.

Short Story

“What Was I Made For?”: Thoughts of a Queer Barbie

I look out over the rolling waves and allow my eyes to rest on her. She’s wearing a fitted white tank top, jean shorts, and her signature silver chain around her neck. Her dimples are on full display as she laughs at something her friend says, and her eyes capture the rays of sunlight and infuse them into her irises, brightening them beyond Technicolor. They’ve broken through to the sixth dimension, and I can’t look away, and I don’t want to look away.

A digital illustration of various sapphic couples from television. The largest couple on the left hand side is Amity, a white girl with short purple hair, a black tunic, a moon necklace, and pointy ears, and Luz, a Latina girl with brown skin, orange-brown hair, a half-cloak, and black studs, from "The Owl House." Amity cups Luz's face and holds her hand. At the bottom right corner are Beatrice, an Asian woman with dark purple hair in a bun and a cross scar on her cheek, and Ava, a white woman with orange-brown bobbed hair, from "Warrior Nun." Ava is smiling affectionately at Beatrice who is speaking. At the top right corner are Sydney, a white girl with short pink hair in an orange tank top and necklace, and Dina, a Black girl with dark curly hair and a white tank top, from "I Am Not Okay With This." Sydney leans against Dina and looks up at her lovingly. Various swirls and hearts surround all the couples.

Arts & Entertainment

From “I Am Not Okay With This” to “Everything Sucks”: A Lack of Lesbians in Media

After the cancellation of the beloved show “Warrior Nun” on Netflix, fans speculated as to why such a popular show could have been kicked to the curb by the streaming powerhouse. Some theorized that it may have been provoked by the second season’s relationship between two women. Though its fanbase’s dedication eventually led to the series’ development into a feature film trilogy, this isn’t the first case where shows with sapphic central characters have been stripped of funding and future seasons.

A digital illustration of two women holding hands and looking at a painting of two women. The couple's clothing color palette matches the two women's clothing in the painting. The woman on the left has light brown skin, curly brown hair, a blue bandana, and a brown vest over a light blue long-sleeve shirt. The woman on the right has light skin, straight brown hair, a red beret, a tan shirt, and a black purse. The women in the painting wear a red scarf and a blue scarf respectively.

Literature

The Underrepresentation of Sapphic Identities in Literature: A Historical Analysis

My first June after discovering sapphic literature was one of eager anticipation. I had loved sapphic novels from the moment I picked up “The Lady’s Guide to Celestial Mechanics” the year prior, and waited all year for Pride Month so that I could get new recommendations. Sure enough, they started rolling in! Scrolling through TikTok, I saw video after video advertising “queer book recs.” But what I saw was disappointing at best. In these videos, the word “queer” seemed to be synonymous with male-loving-male (MLM); every single video was full of nothing but MLM novel recommendations.

An illustration of a light-skinned girl with long light brown hair in a pink sweater holding hands with a girl with brown skin and her dark brown curls tied up in a bun in a white turtleneck and red shirt. They both look backwards and up, their faces filled with worry. Blue silhouettes of people with angry faces loom above them.

Arts & Entertainment

The Oversexualization of Lesbian Relationships in Media

The entertainment industry profits off the sexualization of women. Whether typecast as a complacent suburban housewife or a strong crime-fighting machine, women in media are reduced to their sexual attributes, especially lesbians and other queer people.

also for monday article: A photograph of Hayley Kiyoko, a white and Japanese woman with tan skin, in a denim outfit on a stage. She has her arms raised in the air. On stage with her are a Black masc person in a brown hat and green shirt and a Black person with long black hair in a gray outfit. Behind her, the wall has a blue wave design. At the bottom of the stage, the audience members raise their hands excitedly.

Community

LGBTQ+ Youth, Lesbian Jesus and a Therapist (in training): The LA LGBT Center’s Models of Pride

On Saturday, October 14, the Los Angeles LGBT Center had their 31st Models of Pride, an event meant to offer a safe space for LGBTQ+ youth and expose them to queer role models. The event included workshops on topics such as sensory art, voguing, and “Dungeons and Dragons” for participants to attend in between speakers (including keynote speaker Dylan Mulvaney!) The main event space — located at the California Science Center — had a welcoming display of colorful inflatable chairs and booths from queer organizations and popular brands like NYX Cosmetics.

A digital illustration of a young masc person with tan skin and dark hair wearing a white shirt and blue jeans. They stand in front of a weapon rocket that has a rainbow ribbon tied around it. Behind them, a city is burning. They ask, "This makes it ok, right?"

Politics & News

Rainbow-washing Genocide

Every June, corporations unabashedly participate in rainbow capitalism by putting out rainbow logos and pride product lines without taking any meaningful action to support LGBTQ+ causes. We have grown quick to call out such corporations for their performativity, so why don’t we call out other forms of rainbow-washed oppression — especially when it comes to justifying the mass murder of an entire populace?