sapphic – OutWrite

“What Was I Made For?”: Thoughts of a Queer Barbie

I look out over the rolling waves and allow my eyes to rest on her. She’s wearing a fitted white tank top, jean shorts, and her signature silver chain around her neck. Her dimples are on full display as she laughs at something her friend says, and her eyes capture the rays of sunlight and infuse them into her irises, brightening them beyond Technicolor. They’ve broken through to the sixth dimension, and I can’t look away, and I don’t want to look away.

A digital illustration of various sapphic couples from television. The largest couple on the left hand side is Amity, a white girl with short purple hair, a black tunic, a moon necklace, and pointy ears, and Luz, a Latina girl with brown skin, orange-brown hair, a half-cloak, and black studs, from "The Owl House." Amity cups Luz's face and holds her hand. At the bottom right corner are Beatrice, an Asian woman with dark purple hair in a bun and a cross scar on her cheek, and Ava, a white woman with orange-brown bobbed hair, from "Warrior Nun." Ava is smiling affectionately at Beatrice who is speaking. At the top right corner are Sydney, a white girl with short pink hair in an orange tank top and necklace, and Dina, a Black girl with dark curly hair and a white tank top, from "I Am Not Okay With This." Sydney leans against Dina and looks up at her lovingly. Various swirls and hearts surround all the couples.

Arts & Entertainment

From “I Am Not Okay With This” to “Everything Sucks”: A Lack of Lesbians in Media

After the cancellation of the beloved show “Warrior Nun” on Netflix, fans speculated as to why such a popular show could have been kicked to the curb by the streaming powerhouse. Some theorized that it may have been provoked by the second season’s relationship between two women. Though its fanbase’s dedication eventually led to the series’ development into a feature film trilogy, this isn’t the first case where shows with sapphic central characters have been stripped of funding and future seasons.

A digital illustration of two women holding hands and looking at a painting of two women. The couple's clothing color palette matches the two women's clothing in the painting. The woman on the left has light brown skin, curly brown hair, a blue bandana, and a brown vest over a light blue long-sleeve shirt. The woman on the right has light skin, straight brown hair, a red beret, a tan shirt, and a black purse. The women in the painting wear a red scarf and a blue scarf respectively.

Literature

The Underrepresentation of Sapphic Identities in Literature: A Historical Analysis

My first June after discovering sapphic literature was one of eager anticipation. I had loved sapphic novels from the moment I picked up “The Lady’s Guide to Celestial Mechanics” the year prior, and waited all year for Pride Month so that I could get new recommendations. Sure enough, they started rolling in! Scrolling through TikTok, I saw video after video advertising “queer book recs.” But what I saw was disappointing at best. In these videos, the word “queer” seemed to be synonymous with male-loving-male (MLM); every single video was full of nothing but MLM novel recommendations.

An illustration of a light-skinned girl with long light brown hair in a pink sweater holding hands with a girl with brown skin and her dark brown curls tied up in a bun in a white turtleneck and red shirt. They both look backwards and up, their faces filled with worry. Blue silhouettes of people with angry faces loom above them.

Arts & Entertainment

The Oversexualization of Lesbian Relationships in Media

The entertainment industry profits off the sexualization of women. Whether typecast as a complacent suburban housewife or a strong crime-fighting machine, women in media are reduced to their sexual attributes, especially lesbians and other queer people.

The cover of "Little One," an EP by Amelia Day. It is divided into eight sections with each section being in a different color of the rainbow, colored in with crayon and watercolor paint. It reads "Little One. Amelia Day" in various crayon colors; there is a smiley face in the "O". All around the centered text are black and white images of Amelia, a white girl, as a young child.

Music

Childhood, Silliness, and Photo Albums: An Interview With Amelia Day on “Little One”

Despite being classically trained, Amelia Day doesn’t limit herself to just one genre of music; she dabbles in folk, jazz, soul, and indie alike. Her acoustic guitar combined with imagery like “maple street, matcha tea” and “I left your heart out to dry on a clothin’ line stretched across central time” creates a listening experience full of familiarity and warm, golden light. She splits her time between Nashville and Seattle and has generated a fanbase spanning the American South to the Pacific Northwest.

A Netflix poster for "XO, Kitty." Besides the title, it reads, "From Jenny Han, a new 'To All the Boys I've Loved Before' story begins..." and "Only on Netflix | May 18." Five young people stand in front of a city with blooming cherry blossom trees. From left to right, there is a young man with light skin and dark hair in a jean jacket, a young man with light brown skin and dark curls wearing a dark gray shirt, a young woman with light skin and brown hair in a white tanktop, a young woman with light skin and black hair wearing pink, a young man with light skin and black hair wearing a mint jacket.

TV

Commitments to Queerness: A Review of Netflix’s “XO, Kitty”

“XO, Kitty,” the spinoff of Netflix’s “To All the Boys I’ve Loved Before,” was released in May of this year with decent ratings; with a current Rotten Tomatoes score of 81% and an audience score of 58%, the show has started off on the right foot. That being said, with all the good aspects of the show, there are also bad ones. Let’s start with the good.

A digital illustration of two people, one with light brown skin and shoulder-length dark brown hair in a gray suit and one in a blue hoodie with light skin and bob-length blond hair. They stand under an orange umbrella in a green hazy forest.

Creative Writing

The Umbrella

Lea was already late, running down the sidewalk like a marathon sprinter in the last leg of a race. She dodged around screaming babies in strollers, men in ironed suits in the midst of an argument, and bright yellow fire hydrants. She yelled a quick “Sorry!” or an “Excuse me!” as she weaved her way through the crowds of people hustling to enter the sanctity of their cars after work. Los Angeles at five in the afternoon was not a friendly place.

The "Bottoms" poster which includes PJ, a white girl in green making a muscle, and Josie, a black woman in teal making a muscle. Clinging to each of them is a young white woman and a young Wasian woman both wearing pink clothing items. Two football players lounge beneath them, another white woman and a Black man.

Film

Gay Wrongs, and Why I Support Them — On “Bottoms” and Queer Irreverence

Lesbians have never looked as hot as when they are covered in the blood of football jocks like the characters of “Bottoms,” the instant classic lesbian rom-com movie of the year. “Bottoms” — directed by Emma Seligman — follows Josie (Ayo Edebiri) and PJ’s (Rachel Sennott) attempt to woo their respective love interests, Isabel (Havana Rose Liu) and Brittany (Kaia Gerber), with a faux all-women’s self-defense fight club. The film screams of a dark humor and irreverence rarely seen in LGBTQ+ media — a refreshing new take that presents audiences with queer, gray morality, or what I lovingly call ‘Gay Wrongs’.

Sports

FIFA Banned Rainbow Armbands at the World Cup: Here’s How Players Showed Pride Instead

In late June, eight armband designs were revealed that 2023 FIFA World Cup players could choose to wear on the pitch, including “Unite For Indigenous Peoples,” in partnership with United Nations Human Rights, and “Unite For Ending Violence Against Women,” in partnership with UN Women. However, despite the tournament’s theme of “Football Unites the World,” FIFA banned the “OneLove” armband or any armbands including Pride Flag imagery. This is ostensibly without reason; unlike Qatar which hosted the 2022 World Cup, the 2023 host countries Australia and New Zealand don’t criminalize LGBTQ+ people. Players receive a yellow card — a warning that could bar future participation — for wearing rainbow armbands, as was the case at the 2022 World Cup in Qatar.

illustration of a lesbian holding a perfect lesbian trophy on top of a podium

Poetry

Straight Women Rules: A Guide to Being the Perfect Lesbian®

There’s a lot of wondering and a lot of waiting. I understand what you might be feeling. I know that you’re biting your tongue, and always waiting till you make them uncomfortable.