Childhood, Silliness, and Photo Albums: An Interview With Amelia Day on “Little One”

Despite being classically trained, Amelia Day doesn’t limit herself to just one genre of music; she dabbles in folk, jazz, soul, and indie alike. Her acoustic guitar combined with imagery like “maple street, matcha tea” and “I left your heart out to dry on a clothin’ line stretched across central time” creates a listening experience full of familiarity and warm, golden light. She splits her time between Nashville and Seattle and has generated a fanbase spanning the American South to the Pacific Northwest. 

From the Archive: Sleeping With The Homophobe (Fall 2000)

Welcome to OutWrite’s “From the Archive” series! This series is designed to provide an opportunity to interact with our organization’s archives, assess the opinions and relevance of our past content, and bring that content into the present. In doing so,…