still from everything everywhere all at once, the rock scene
Film
Catharsis Through Queer Media: A Review of “Everything Everywhere All at Once”

“Everything Everywhere All at Once” is a love letter to the Asian American immigrant community and a startlingly sincere portrayal of modern queerness. In an era of formulaic superhero films and live-action Disney remakes, it is a breath of fresh air and a reminder that art can be transformative.

Arts & Entertainment
“Encanto”: Being the Family’s Black Sheep

**This article contains spoilers for Disney’s “Encanto” (2021).** In late November of 2021, Disney released the long-anticipated movie “Encanto.” The film centers around a mestiza, Colombian family, the Madrigals, who were blessed with magical powers which they use to help…

Featured Posts
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Campus
Pride Admit Weekend: What It Is and What It Gives
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Politics & News
We Are Entering Our 2024 Election Voting Era: Why Voting Slays
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Politics & News
Fighting for the Queer Youth: In Loving Memory of Nex Benedict
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Campus
How a Queer Disabled Student is Fighting for Health, Safety, and Education
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Politics & News
Seeking Safety: LGBTQ+ Migrants Fight for Asylum
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Campus
Queer Prom: Fantasy is a Radical Reality
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Community
Homelessness and Familiar Faces
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Campus
Pride Admit Weekend Needs More Volunteers: Here’s Everything You Need to Know
A digital illustration of a light-skinned masc person in a black cap, black leather harness, and black pants. They have a beard and short hair. They face away from the audience in a dimly lit abandoned gay bar called "Rock Bottom." The only visible light is from their phone open to an ambiguous social media. The room is lit with a deep pinkish purple.
Community
The Destruction of Queer Public Spaces Has Forced Us Online
for tomorrow's article! A digital illustration of a fem person and a masc person looking at each other from the ends of two separate lines. One line is composed of fem people's pink silhouettes, and the other is composed of masc people's blue silhouettes. The fem person has brown skin, black hair in a ponytail, a purple shirt, and a tan bag. The masc person has white skin, short brown hair, a blue shirt, and a black backpack. He looks worried. They are in a school setting approaching a bulletin board with various flyers on it.
Politics & News
Oklahoma School Bans Gender Change
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Short Story
“What Was I Made For?”: Thoughts of a Queer Barbie
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Community
The Fight Over Flags
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Opinion
Why Queer Education Matters
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Community
Schuyler Bailar’s Intersectional Impact as an East Asian Transgender Man
A digital illustration of various sapphic couples from television. The largest couple on the left hand side is Amity, a white girl with short purple hair, a black tunic, a moon necklace, and pointy ears, and Luz, a Latina girl with brown skin, orange-brown hair, a half-cloak, and black studs, from "The Owl House." Amity cups Luz's face and holds her hand. At the bottom right corner are Beatrice, an Asian woman with dark purple hair in a bun and a cross scar on her cheek, and Ava, a white woman with orange-brown bobbed hair, from "Warrior Nun." Ava is smiling affectionately at Beatrice who is speaking. At the top right corner are Sydney, a white girl with short pink hair in an orange tank top and necklace, and Dina, a Black girl with dark curly hair and a white tank top, from "I Am Not Okay With This." Sydney leans against Dina and looks up at her lovingly. Various swirls and hearts surround all the couples.
Arts & Entertainment
From “I Am Not Okay With This” to “Everything Sucks”: A Lack of Lesbians in Media
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Literature
The Underrepresentation of Sapphic Identities in Literature: A Historical Analysis
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Arts & Entertainment
The Oversexualization of Lesbian Relationships in Media
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Sports
A Try at UCLA Women’s Rugby — Interview with Kelsey on UCLA Athletics and Being Trans
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Politics & News
Asia’s Steps Toward Queerness in 2023
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Creative Writing
A Jigsaw Puzzle Is an Act of Creation
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