The horror genre has a transphobia problem. I’m an avid horror fan whose apartment requires a warning to enter with all the horror villains plastered to my walls. I am also a transgender person who knows that negative depictions of my community, however unintentionally harmful, do have an impact. To understand these consequences, I will be discussing four horror films that feature transmisogynist tropes and explore how their portrayal causes real harm to the trans community.
Demonic Domesticity
Illustrated by Steph Liu (She/Her) This illustration was originally published in our Fall 2022 print issue “Satanic Panic.“
Ellos Quieren Sangre
Her shoulders drooped with the weight of her Catholic guilt as the statue of white Jesus stared down at her, telling her, I know what you’ve done. His dark eyes seemed to be in perpetual melancholy as her own peered into them. That statue always scared her, always seemed to follow her home from church; it was the first thing she’d see in her grandmother’s kitchen, a miniature version of the statue hung up in her room right in front of the doorway. She had always accepted that Jesus would be a permanent part of her life, just as she had accepted that she bore responsibilities, as the eldest daughter and the first grandchild, to fall in line with what her family expected from her..
The (Re)Birth of Venus
The Rebirth of Venus is a creative photography project that aims to recreate the iconic birth of Venus painting through a queer lens. We intend to challenge traditional notions of beauty, gender, and sexuality, while also shedding light on the current socio-political climate towards LGBTQ+ communities in the United States.
Through this visually captivating photo, we hope to inspire thought-provoking conversations and foster a greater understanding and acceptance of the LGBTQ+ community.
What the Devil is That Racket?!
On March 26th, 2021, Lil Nas X dropped “MONTERO (Call Me By Your Name),” the lead single for his album “MONTERO” and a passionate declaration of queer love and desire. The single by itself would likely have received a largely positive reaction, as Lil Nas X already had considerable recognition. However, “MONTERO”’s music video featured Lil Nas X as an angel who rides down a pole from Heaven to Hell and gives the Devil a lapdance.
A New Sort of Sin: A Study on Historic Connections of Lesbians to Satanism
In the broader scheme of American history, the Satanic Panic was one of many moral panics that got mainstream culture whipped up into a frenzy about the supposed threatened integrity of the ideals they held near and dear to their hearts. These moral panics were often a misdirected reaction to underlying issues; the public’s reaction to this was often to scapegoat other groups to deflect from the true cause of these issues. In America during the 1980s, the sexual abuse of children was finally being confronted after years of being ignored; and the public’s response to that frightening prospect was to turn to an equally frightening cause (to deflect from the more uncomfortable idea that it was really people they knew and trusted that were sexually abusing their children): Satanists.
Being My Mother’s Son: A Review of Queer Korean Documentary “Coming to You”
On May 5, 2023, UCLA screened “Coming to You” (“한글: 너에게 가는 길”) directed by Gyu-ri Byun (she/her), a groundbreaking Korean documentary about the mothers of queer adults in Korea. The documentary centers on the mothers, Nabi (she/her) and Vivian (she/her), who are members of PFLAG Korea (Parents, Families and Allies of LGBTAIQ+ People in Korea). Both women are cisgender and heterosexual. Prior to their children coming out to them, they held little to no knowledge about the queer community and harbored discriminatory opinions about queerness. Nonetheless, the documentary made no excuses for their past queerphobia and followed their journeys into wholehearted queer activism.
Queers Kill Cats, Too: A Review of “Gummo”
Harmony Korine’s 1997 directorial debut “Gummo” is one of those movies that gets swallowed up by its own images. More than any plot event, people remember “Gummo” for the bathtub spaghetti scene, the Bunny Boy’s hat, and the unique shape of Jacob Reynold’s head as Solomon on the film’s box art. This is strange, though, considering that the film itself aspires to be so much more. Revisiting “Gummo,” it reads as an attempt to address as many social and political issues as possible by slotting them into the film’s Midwestern setting. Over the course of its runtime, “Gummo” explores themes ranging from sexual assault to racism to misogyny to ableism and eventually to homophobia, transphobia, and beyond, all to wildly varying degrees of success.
1980s Lesbian Modernism Rage Collage
Created by Zoë Collins This collage was originally published in our Fall 2022 print issue “Satanic Panic.“
Anonymous, Anonymous
I have this dream of dying in complete silence, and when the neighbors call to complain about the smell a few days later (and the firemen kick the door in), they’ll find my mother sitting calmly at the dining room table, knife in hand around a halo of sunburnt faces cutting branches from the family tree
